Jerome Manguba

Against the Ropes

Jerome Manguba

‘Against the Ropes’: An analogy in boxing to describe a boxer that is put in a vulnerable position (on the ropes) in the ring.

Initial inspiration began with conversations with my family and Filipino community members, sharing our experiences of diasporic practice through “Pacquiao fight night spaces”. While these spaces created an immersive experience of familiar sights, smells, and sounds in the intimate homes of Filipina/o Canadians, they were also grounded in diasporic intimacy, expressed a sense of belonging, and facilitated a shared collective identity.

This source of inspiration led me to examine the intersection of masculinity and Filipino boxing culture. ‘Against the Ropes’ pays homage to Filipino boxing icons who challenged historical stereotypes of the Asian body within sports. Aggression and speed, a common thread between these boxers, are seen in their quick movements, firm stances, and powerful hand strength. These boxing attributes are translated through rigid forms and silhouettes.

Garments will challenge hypermasculine stereotypes within boxing culture by exploring and recontextualizing historical boxing attire. The attributes of boxing equipment will be interpreted through soft and fluid sensibilities in the garments. Leather, raw denim, light knit wools and sheer silk fabrics will be of the essence for garments, juxtaposing strength and softness for the wearer.

Research image #1: Francisco Guilledo, better known as "Pancho Villa" boxer profile shot taken in New York. Reference: @BoxingHistory. (2016). In Twitter. https://twitter.com/boxinghistory/status/768281729396150272
Research image #1: Francisco Guilledo, better known as "Pancho Villa" boxer profile shot taken in New York. Reference: @BoxingHistory. (2016). In Twitter. https://twitter.com/boxinghistory/status/768281729396150272
Research image #2: Manny Pacquiao winning the Junior Featherweight division class belt against Lehlo Ledwaba
Research image #2: Manny Pacquiao winning the Junior Featherweight division class belt against Lehlo Ledwaba
'Pound for pound' denim jacket toile
'Pound for pound' denim jacket toile
'Bolo' blazer toile
'Bolo' blazer toile
Hook and eye closure for singlet
Hook and eye closure for singlet
Cowhide oxblood leather pant development
Cowhide oxblood leather pant development
JEROME MANGUBA. FW22 MENSWEAR. AGAINST THE ROPES
JEROME MANGUBA. FW22 MENSWEAR. AGAINST THE ROPES
JEROME MANGUBA. FW22 MENSWEAR. LOOK 1
JEROME MANGUBA. FW22 MENSWEAR. LOOK 1
JEROME MANGUBA. FW22 MENSWEAR. LOOK 2
JEROME MANGUBA. FW22 MENSWEAR. LOOK 2
JEROME MANGUBA. FW22 MENSWEAR. LOOK 3
JEROME MANGUBA. FW22 MENSWEAR. LOOK 3
JEROME MANGUBA. FW22 MENSWEAR. LOOK 4
JEROME MANGUBA. FW22 MENSWEAR. LOOK 4
JEROME MANGUBA. FW22 MENSWEAR. LOOK 5
JEROME MANGUBA. FW22 MENSWEAR. LOOK 5

Closing Statement

At the start of the program, I was a passionate fashion design student that couldn’t wrap my head around the term ‘pivoting or slashing a dart’ and what ‘easing the cap’ entailed. However, through perseverance and reflection, I have transformed into a designer who truly is confident in my technical skills and embraces all facets of the design process. This program has not only given me the ability and experience to grow as a designer but it has also allowed me to create long-lasting relationships with professors and creative students.

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